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19th-23rd March 2019

Show handbill

Lyrics by Tim Rice

Music by Andrew Lloyd Webber


Evita charts the young and ambitious Eva Perón’s meteoric rise from poverty to sainthood. Set in Argentina between 1934-1952, the Olivier and Tony winning musical follows Eva María Duarte on her journey from poor illegitimate child to ambitious actress to, as the wife of military leader-turned-president Juan Perón, the most powerful woman in Latin America, before her death from cancer at age 33.


The events in Eva’s life are presented in song and commented on by the show’s narrator, Ché Guevara. Well-known numbers from Tim Rice and Andrew Lloyd Webber’s musical masterpiece include “Don’t Cry for Me Argentina”, “Oh What a Circus”, “Buenos Aires” and “Another Suitcase in Another Hall”.


With one of Lloyd Webber’s most-loved scores, combining Latin, jazz, pop and more traditional influences, Evita is one of the most popular musicals of modern times, and we are delighted to have been granted a licence to stage a full scale production with such a talented cast. Cody are thrilled to be able to bring this blockbuster show to the Princes Hall in a spectacular production for our audience to enjoy.


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Song List

Act One

  1. A Cinema in Buenos Aires - Chorus
  2. Requiem for Evita - Chorus
  3. Oh What a Circus - Eva, Che, 4 Girls, Chorus
  4. On This Night of a Thousand Stars - Eva, Magaldi, Che, Family, Brother, Sisters, Chorus
  5. Buenos Aires - Eva
  6. Goodnight and Thank You - Che, Eva, Lovers
  7. The Art of the Possible - President, Peron, 4 Officers, Eva, Chorus
  8. Charity Concert - Magaldi, Eva, Peron, Chorus
  9. I’d Be Surprisingly Good for You - Eva, Peron
  10. Another Suitcase in Another Hall - Mistress, Eva, Che, Boys
  11. Peron’s Latest Flame - Che, Aristocrats, Army, Heavies
  12. A New Argentina - Eva, Peron, Che, Officials, Workers, Chorus

Act Two

  1. On the Balcony of the Casa Rosada/Don’t Cry for Me Argentina - Eva, Che, Peron, Chorus
  2. High Flying, Adored - Che, Eva
  3. Rainbow High - Eva, Men
  4. Rainbow Tour - Peron, Che, Eva, Admiral, Officers, Chorus
  5. The Chorus Girl Hasn’t Learned the Lines (You’d Like to Hear) - Eva, Che, Aristocrats
  6. And the Money Kept Rolling In (And Out) - Che, Chorus
  7. Santa Evita - Che, Children, Workers
  8. Waltz for Eva and Che - Che, Eva
  9. You Must Love Me - Eva
  10. She is a Diamond - Peron, Officers
  11. Dice are Rolling - Eva, Peron
  12. Eva’s Final Broadcast - Che, Eva
  13. Montage - Che, Peron, Magaldi, Chorus

    Lament - Eva, Mourners, Chorus


Act One

In Buenos Aires on July 26, 1952, an audience is watching a film ("A Cinema in Buenos Aires, July 26, 1952"). The film is interrupted when news breaks of the death of Eva Perón, Argentina's First Lady, at the age of 33. The nation goes into public mourning as they sing "Requiem for Evita" (in Latin, which is modelled on a Catholic requiem). Ché, a member of the public, marvels at the spectacle and promises to show how Eva did "nothing, for years" ("Oh What a Circus").


In 1934, 15-year-old Eva Duarte (later Eva Duarte de Perón) lives in the provincial town of Junín, and longs to seek a better life in Buenos Aires. Eva falls in love with a tango singer, Agustín Magaldi, after she meets him at one of his shows ("On This Night of a Thousand Stars"). Eva persuades Magaldi into taking her with him to Buenos Aires and though he is initially resistant, he eventually accepts ("Eva, Beware of the City"). Upon her arrival at the city, Eva sings about her hopes and ambitions of glory as an actress ("Buenos Aires"). After her arrival, Eva is quick to leave Magaldi, and Che relates the story of how Eva sleeps her way up the social ladder, becoming a model, radio star, and actress ("Goodnight and Thank You"). He then tells of both a right-wing coup in 1943 and Eva's success, implying that Argentine politics and Eva's career may soon coincide. Che also makes a point to introduce the figure of Colonel Juan Domingo Perón, an ambitious military colonel who was making his way up the Argentine political ladder ("The Lady's Got Potential"). In a game of musical chairs that represents the rise of political figures, Perón and other military figures compete for power and exhibit their political strategy ("The Art of the Possible").


After a devastating earthquake hits the town of San Juan, Perón organises a charity concert at Luna Park to provide aid to the victims. Eva attends and briefly reunites with Agustín Magaldi, who coldly shuns her for her past actions. Perón addresses the crowd with words of encouragement and leaps off the stage, meeting Eva as soon as he exits ("Charity Concert"). Eva and Perón share a secret rendezvous following the charity concert, where Eva hints that she could help Perón rise to power ("I'd Be Surprisingly Good For You"). Eva dismisses Perón's Mistress (the character is known only by that title), who ponders the rejection ("Another Suitcase in Another Hall").


After moving in with Perón, Eva is introduced to high society, but she is met with disdain from the upper classes and the Argentine Army ("Perón's Latest Flame"). In 1946, Perón launches his presidential bid after being promoted to general in the army, and while in bed with Eva, he discusses his chances of winning the election. Eva reassures him and soon they organise rallies where the people show their support and hope for a better future, while on the sidelines Perón and his allies plot to dispose of anyone who stands in their way ("A New Argentina").


Act Two

Perón is elected president in a sweeping victory in 1946. He stands "On The Balcony of the Casa Rosada" addressing his descamisados (shirtless ones). Eva speaks from the balcony of the Presidential Palace to her adoring supporters, where she reveals that despite her initial goal of achieving fame and glory, she has found her true calling to be the people of her country ("Don't Cry for Me, Argentina"). Che analyses the price of fame as Eva dances at the Inaugural Ball with Perón, now the president-elect ("High Flying, Adored").


Eva insists on a glamorous image to impress the people of Argentina and promote Perónism. She prepares to tour in Europe as she is dressed for success by her fashion consultants ("Rainbow High"). The next song has Che representing leaders of the countries and even an Italian admiral. Her famous 1946 tour meets with mixed results ("Rainbow Tour"); Spaniards adore her, but the Italians liken her husband to Benito Mussolini. Even though the Italian people didn't like Evita, Argentina still had support from Italy. France is unimpressed because Eva started to get tired, but still had some mixed reviews. And the English snub her by inviting her to a country estate, rather than Buckingham Palace. Eva affirms her disdain for the upper class, while Che (pretending to be a random peasant) asks her to start helping those in need as she promised ("The Actress Hasn't Learned the Lines (You'd Like to Hear)"). Eva begins the Eva Perón Foundation to direct her charity work. Che describes Eva's controversial charitable work, and possible money laundering ("And the Money Kept Rolling In (And Out)").


Eva appears at a church to take the sacrament in front of her adoring supporters ("Santa Evita"), but goes into a trancelike state, beginning to hallucinate. In her vision she and Che heatedly debate her actions; Che accuses Eva of using the Argentine people for her own ends and silencing people who do not support her, while Eva cynically replies that there is no glory in trying to solve the world's problems from the sidelines ("A Waltz for Eva and Che"). At the end of the argument, Eva finally admits to herself and Che that she is dying and can't go on for much longer. Afterwards, Eva finally understands that Perón loves her for herself, not just for what she can do for him and his career ("You Must Love Me").


Perón's generals finally get sick of Eva's meddling and demand that Perón force her to leave politics. However, Perón objects and claims that if it wasn't for her, they would never have achieved as much as they have ("She Is a Diamond"). But he also concedes she won't be able to keep working for long as she will soon succumb to her cancer. Even so, Eva is determined to run for vice-president, and Perón fears that the military will stage a coup if she runs and that Eva's health is too delicate for any stressful work, but Eva insists she can continue, despite her failing health ("Dice Are Rolling/Eva's Sonnet").


Realizing she is close to death, Eva renounces her pursuit of the vice presidency and swears her eternal love to the people of Argentina ("Eva's Final Broadcast"). Eva's achievements flash before her eyes before she dies ("Montage"), and she asks for forgiveness, contemplating her choice of fame instead of long life ("Lament"). Eva dies, and embalmers preserve her body forever. Che notes that a monument was set to be built for Evita but "only the pedestal was completed, when Evita's body disappeared for 17 years...."